KRS-One is a true emcee in every sense of the word. But after 1998's disappointing "I Got Next", some wondered if he had lost his touch with rap and suggested he retire. On his aptly titled "The Sneak Attack", KRS proves that, without a doudbt, his grip on the mic is tighter than ever and his progress into a new age of hip-hop is working well.

The Blastmaster has made a great attempt to return to his old form lyrically (KRS shouts "The Edutainment style is back like that"), his self production has an updated sound with that classic feel to it. Many of the songs on here should be applauded for their sonic attack, and KRS hits us hard with beats that are treats for the ears. "The Raptism" has an uplifting beat, and KRS comes with more musings on the existence of hip-hop culture. Some find this to be an overbearing thing about Kris, but I don't-it's exactly why I like him. Much of what he talks about (albeit a little too seriously) is stuff I think of and laugh at as a hip-hopper myself. And his thoughts often have important social messages that hip-hop is in much need of. He speaks out further on "Attendance", claiming his status as a great with authority. On "Hip-Hop Knowledge" he comes with one of the most inspired solo performances since Canibus's "100 Bars", breaking down his entire career. Don't be surprised if Kris's album upsets a few record executives and rappers (thou I doubt anyone would diss him-has anyone other than MC Shan?). KRS raps aggressively throughout, adapting new flavors and making his voice sound powerful at times. He tears apart "The Lessin" and "What Kinda World". "Get Yourself Up" is a banger in every sense of the word, with a thumping beat and strong flows by Kris. Another criticism is that he shouts his lyrics, that is rather ridiculous though, it is what catches your ear in his flow. "Shutupayouface" has another pleasing beat, and the Teacher adopts a speedier technique, with interesting & impressive success. "The Sneak Attack" is a more funky joint that helps to round the album out greatly with more classic hip-hop goodness.

As it goes, "The Sneak Attack" is an excellent album. There are some songs that don't measure up to snuff, though, including the single "Hot" and "Hush". "Ghetto Lifestyles" is a teaser with only one verse, and "Krush Them" has an unsatisfying beat. But regardless, the end product is a very satisfying comeback from The Teacher. This record should erase all doubt from haters minds' that Kris has a definite place in today's hip-hop. Kris's return is also another surprisingly aggressive return from an old hip-hop great recently, such as Scarface's "Last Of A Dying Breed" and Freddie Foxxx's "Industry Shakedown". Far from losing touch, "The Sneak Attack" proves that KRS can be fresh and will be here much longer.